I don't knw why but the so called modernisation moment is taking india to the heads and everyone is making him self modern just by denying the values on which the culture of India was really setted up. go to any place and do anything you want u will find thousands of fools on the roads who are just making joke of the Indian culture. frankly i am also in favor of the liberalisation but do any body here knows what is the meaning of liberalisation. to become liberal we must actually open up our mind to accept all the new thoughts without actually hurting our original thoughts. everybody of us do have our original thought and it must be retained no matter than what u read or actually speak. by rejecting our national languages, our dresses, our religion i don't think what actually we indians want to show to the world. we have to actually change ourself before everything which was retained by us in our past will be vanished and india will actually loss one f it's real and original quality, that we are leaders of the world as far as thought is concerned...
..D..
Monday, April 2, 2007
PROBLEM OF VEHICULAR ACCIDENTS IN INDIA
India reports one-12th of total deaths despite low vehicle population. Quoting surveys and studies, an Emergency Management and Research Institute. advisory said the number of deaths due to injuries could increase to 11 lakh by 2010 and further go up to 12 lakh by 2015. Road accidents are expected to become the third largest killer in the world by 2020.The number of deaths due to road accidents at present has reached an alarming level of 90,000 out of three-lakh road accidents ever year. Compare this against the total death toll of 12 lakh all over the world. Studies indicated that the ratio of deaths to serious injuries needing hospitalisation to minor injuries was 1:20:50. The ratio for Bangalore was 1:18:50 and for Haryana 1:29:70.
The national average ratio of 1:20:50 reflected total deaths up to one lakh, two-crore cases of hospitalisation and five-crore minor injuries, incapacitating people for short or long periods in 2005.
After the first road fatality on 17th August 1896 in London, the Coroner said, “This must never happen again”. More than a century later, globally, 1.2 million people die each year on roads. . Over 80,000 people die in the traffic crashes annually, 1.2 million are seriously injured and about 300000 disabled permanently In India. fatal crashes with pedestrians, bicyclists and motorized two-wheelers involved buses and trucks in higher proportion (50- 70%) than non fatal crashes. All India road data shows that 83.5% of the accidents were due to driver’s fault.
The national average ratio of 1:20:50 reflected total deaths up to one lakh, two-crore cases of hospitalisation and five-crore minor injuries, incapacitating people for short or long periods in 2005.
After the first road fatality on 17th August 1896 in London, the Coroner said, “This must never happen again”. More than a century later, globally, 1.2 million people die each year on roads. . Over 80,000 people die in the traffic crashes annually, 1.2 million are seriously injured and about 300000 disabled permanently In India. fatal crashes with pedestrians, bicyclists and motorized two-wheelers involved buses and trucks in higher proportion (50- 70%) than non fatal crashes. All India road data shows that 83.5% of the accidents were due to driver’s fault.
The rebel has arrived
why i term my self a rebel is truely tough to tell. but i think i am quite different in the thinking i have. the tasks that i do and everything that i do and think probably do not match the standreds already settled by the society. that is why i say that i am a rebel. i wl express everything here direct from my heart. so wait......... ;-)D
Sunday, February 4, 2007
Farewell
FarewellChandralekha — Unto the last dance
In Chennai on December 31 An extraordinary personality of the Indian art world, Chandralekha left for her heavenly abode, she remained an independent thinker and an original artiste. She was known for having put contemporary Indian dance on the world map.
A Bharatanatyam soloist of the 1950s, she caught the public imagination through her innovations and experiments in various dance forms.
Her electrifying performances discarded the devotional elements of dance for passionate body-oriented movements.
Oft described as an iconoclastic maverick dancer who has the capability to unite Bharatanatyam, Yoga and Kalarippayat in a single mind-blowing step, she has won national and international acclaims for her services.
At the national level, she had received Sangeet Natak Academy Fellowship and Kalidas Samman, among others.
Chandralekha’s international recognitions include the Gaia Award in 1992 from Italy and the Time Out Dance Umbrella Award in 1992 from London.
She began her career as a traditional dancer after having received training from renowned Guru Kanchipuram Elappa Pillai in early 1950s.
In 60s, she gave up performing and chose to become a writer and a woman’s and human rights activist. She made a major comeback to dance world in 1985 as a choreographer.
Her comeback was marked by the “East West Dance Encounter” in Mumbai, where she presented three of her productions with the help of Kalakshetra students. Chandralekha’s return took her all over the world - from Moscow to London, Italy, Germany, Toronto, New York and Tokyo - stunning the audience with fiercely sensual and intensely iconoclastic productions.
According to her, dance is a passionate, self-exploratory expression of the earthy, the erotic and the elemental, which is why, unlike other classical dancers, she never does the traditional pranam prior to performances. Chandralekha was also one of the most important voices on the Indian cultural scene.
Her writings, books, prints and choreography have attained an unprecedented status in India and abroad. Most recently, she has been expressing her aesthetic and political vision through dance-making.
Her works include Angika, Lilavati, Prana, Sri, Yantra, Mahakal, Raga, Sloka and the latest Sharira. lets pray for the departed soul.
Ravi
In Chennai on December 31 An extraordinary personality of the Indian art world, Chandralekha left for her heavenly abode, she remained an independent thinker and an original artiste. She was known for having put contemporary Indian dance on the world map.
A Bharatanatyam soloist of the 1950s, she caught the public imagination through her innovations and experiments in various dance forms.
Her electrifying performances discarded the devotional elements of dance for passionate body-oriented movements.
Oft described as an iconoclastic maverick dancer who has the capability to unite Bharatanatyam, Yoga and Kalarippayat in a single mind-blowing step, she has won national and international acclaims for her services.
At the national level, she had received Sangeet Natak Academy Fellowship and Kalidas Samman, among others.
Chandralekha’s international recognitions include the Gaia Award in 1992 from Italy and the Time Out Dance Umbrella Award in 1992 from London.
She began her career as a traditional dancer after having received training from renowned Guru Kanchipuram Elappa Pillai in early 1950s.
In 60s, she gave up performing and chose to become a writer and a woman’s and human rights activist. She made a major comeback to dance world in 1985 as a choreographer.
Her comeback was marked by the “East West Dance Encounter” in Mumbai, where she presented three of her productions with the help of Kalakshetra students. Chandralekha’s return took her all over the world - from Moscow to London, Italy, Germany, Toronto, New York and Tokyo - stunning the audience with fiercely sensual and intensely iconoclastic productions.
According to her, dance is a passionate, self-exploratory expression of the earthy, the erotic and the elemental, which is why, unlike other classical dancers, she never does the traditional pranam prior to performances. Chandralekha was also one of the most important voices on the Indian cultural scene.
Her writings, books, prints and choreography have attained an unprecedented status in India and abroad. Most recently, she has been expressing her aesthetic and political vision through dance-making.
Her works include Angika, Lilavati, Prana, Sri, Yantra, Mahakal, Raga, Sloka and the latest Sharira. lets pray for the departed soul.
Ravi
Police reforms: States to seek more time
Hi Friends
In view of the states not being able to meet the Supreme Court’s deadline for implementing its order on police reforms, which expires tomorrow, they have decided to seek some more time for it.
A decision to this effect was taken at a meeting convened by Union Home Minister Shivraj Patil and attended by Chief Ministers and Home Ministers of various states here.
It was decided that states would file separate affidavits before the apex court detailing steps taken so far with regard to police reforms and also put forth their views on making certain amends as suggested by the court in the September 22, 2006, order, sources said.
The Centre will also file an affidavit on behalf of Union Territories, directly under its administrative control.
So, justice will come late, but it has to come...
Ravi
In view of the states not being able to meet the Supreme Court’s deadline for implementing its order on police reforms, which expires tomorrow, they have decided to seek some more time for it.
A decision to this effect was taken at a meeting convened by Union Home Minister Shivraj Patil and attended by Chief Ministers and Home Ministers of various states here.
It was decided that states would file separate affidavits before the apex court detailing steps taken so far with regard to police reforms and also put forth their views on making certain amends as suggested by the court in the September 22, 2006, order, sources said.
The Centre will also file an affidavit on behalf of Union Territories, directly under its administrative control.
So, justice will come late, but it has to come...
Ravi
Mattoo Case Update
In New Delhi on December 31 ,Two senior officials of the Delhi Police have been suspended for dereliction of duty in connection with the Priyadarshini Mattoo case. Surinder Sharma and Vijay Kumar Manchanda, the Assistant Commissioners of the Delhi Armed Police and the Vigilance Wing respectively, were placed under suspension yesterday for not taking appropriate action on complaints filed by Mattoo, Police Commissioner K.K. Paul said today.
Sharma was the Station House Officer of the Vasant Kunj police station while Manchanda was the in charge of the R.K. Puram station during 1999,when Mattoo was raped and murdered by Santosh Kumar Singh. So friends, our fight for justice continues and continues...
Ravi
Sharma was the Station House Officer of the Vasant Kunj police station while Manchanda was the in charge of the R.K. Puram station during 1999,when Mattoo was raped and murdered by Santosh Kumar Singh. So friends, our fight for justice continues and continues...
Ravi
Traffic Signal
Hi friends,
Its been a long time since I have been here. But what can we do, its such a busy schedule being advocate in high court that I can not think else. But surely our fight for justice continues. Thins time I have two questions. Two days ago Mr.Madhur Bhandarkar released his movie TRAFFIC SIGNAL. What ever he has made has been a master piece. But this time probably he has not made a great classic like his page 3 or Satta or Chandani Bar; although as usual Madhur has shown one more real movie. And as usual this movie is also not free from controversy; first and the worst controversy is use of the word “Kinner” which is used to address Shemales in the movie. Factually they are addressed by this name in some parts of India. But this use has made Himachal Pradesh people feel bad. Actually in Himachal Pradesh this word is commonly used to address people from District KINNAUR. And people from H.P. are in such anger that Government has banned this movie until and unless this word is not deleted from the movie. The second thing I felt bad was the way National Flag was shown fallen in the move, although it was shown that a person who is a nationalist comes there and takes them with him after removing It from ground. What ever , it was not good to show the great National Flag of India fallen, no matter it was made of Cloth or Plastic( as it was in the movie Traffic Signal ).
Ravi
Its been a long time since I have been here. But what can we do, its such a busy schedule being advocate in high court that I can not think else. But surely our fight for justice continues. Thins time I have two questions. Two days ago Mr.Madhur Bhandarkar released his movie TRAFFIC SIGNAL. What ever he has made has been a master piece. But this time probably he has not made a great classic like his page 3 or Satta or Chandani Bar; although as usual Madhur has shown one more real movie. And as usual this movie is also not free from controversy; first and the worst controversy is use of the word “Kinner” which is used to address Shemales in the movie. Factually they are addressed by this name in some parts of India. But this use has made Himachal Pradesh people feel bad. Actually in Himachal Pradesh this word is commonly used to address people from District KINNAUR. And people from H.P. are in such anger that Government has banned this movie until and unless this word is not deleted from the movie. The second thing I felt bad was the way National Flag was shown fallen in the move, although it was shown that a person who is a nationalist comes there and takes them with him after removing It from ground. What ever , it was not good to show the great National Flag of India fallen, no matter it was made of Cloth or Plastic( as it was in the movie Traffic Signal ).
Ravi
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